The Classics Eight: Rebecca by Daphne du Maurier for #rebeccabuddyread

Rebecca…

About the Book:

Last night I dreamt I went to Manderley again . . .

Working as a lady’s companion, the heroine of Rebecca learns her place. Life begins to look very bleak until, on a trip to the South of France, she meets Maxim de Winter, a handsome widower whose sudden proposal of marriage takes her by surprise. She accepts, but whisked from glamorous Monte Carlo to the ominous and brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory of his dead wife Rebecca is forever kept alive by the forbidding Mrs Danvers.

Not since Jane Eyre has a heroine faced such difficulty with the Other Woman.

An international best-seller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.


My Thoughts:

Rebecca is one of those classics I have heard mentioned by book lovers time and time again, yet I’d never made the time to actually read it for myself. I even bought a beautiful Folio Society edition as a means of prompting myself to get to it, but it still took me a year on from that purchase to open the cover. In one of those chats where one thing leads to another, Tracey Allen of Carpe Librum blog and I decided to read Rebecca as a buddy read. We threw the idea out there to others and from that point on, #rebeccabuddyread was born. I highly recommend reading a classic as a group – it’s a lot of fun and keeps you present within the story for the duration on account of all of the back and forth commentary. I loved Rebecca, with its dreamy prose and atmospheric presence. This is a classic that I highly recommend and can see myself returning to over time. Even though we had set aside two weeks for the buddy read, I raced through it in four days – I just couldn’t stop reading it! It certainly fulfils the description of timeless classic and I can see why it hasn’t ever been out of print.

For something a little bit different, instead of writing a review, I give you my impression of Rebecca through my favourite quotes.

The illustrations are from my own edition of Rebecca.

Moonlight can play odd tricks upon the fancy, even upon a dreamer’s fancy. As I stood there, hushed and still, I could swear that the house was not an empty shell but lived and breathed as it had lived before.
– Chapter 1.

We can never go back again, that much is certain.
– Chapter 2.

He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery, I had forgotten where, of a certain Gentleman Unknown.
– Chapter 3.

That girl who, tortured by shyness, would stand outside the sitting-room door twisting a handkerchief in her hands, while from within came that babble of confused chatter so unnerving to the intruder – she had gone with the wind that afternoon. She was a poor creature, and I thought of her with scorn if I considered her at all.
– Chapter 4.

She had beauty that endured, and a smile that was not forgotten. Somewhere her voice still lingered, and the memory of her words. There were places she had visited, and things that she had touched. Perhaps in cupboards there were clothes that she had worn, with the scent about them still.
– Chapter 5.

This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.
– Chapter 6.

Unconsciously, I shivered as though someone had opened the door behind me and let a draught into the room. I was sitting in Rebecca’s chair, I was leaning against Rebecca’s cushion, and the dog had come to me and laid his head upon my knee because that had been his custom, and he remembered, in the past, she had given sugar to him there.
– Chapter 7.

It seemed strange to me that Maxim, who in Italy and France had eaten a croissant and fruit only, and drunk a cup of coffee, should sit down to this breakfast at home, enough for a dozen people, day after day probably, year after year, seeing nothing ridiculous about it, nothing wasteful.
– Chapter 8.

You could hear the sea from here. You might imagine, in the winter, it would creep up on to those green lawns and threaten the house itself, for even now, because of the high wind, there was a mist upon the window-glass, as though someone had breathed upon it. A mist salt-laden, borne upwards from the sea.
– Chapter 9.

The sky, now overcast and sullen, so changed from the early afternoon, and the steady insistent rain could not disturb the soft quietude of the valley; the rain and the rivulet mingled with one another, and the liquid note of the black bird fell upon the damp air in harmony with them both. I brushed the dripping heads of azaleas as I passed, so close they grew together, bordering the path. Little drops of water fell on to my hands from the soaked petals. There were petals at my feet too, brown and sodden, bearing their scent upon them still, and a richer, older scent as well, the smell of deep moss and bitter earth, the stems of bracken, and the twisted buried roots of trees.
– Chapter 10.

I could not believe that I had said the name at last. I waited, wondering what would happen. I had said the name. I had said the word Rebecca aloud. It was a tremendous relief. It was as though I had taken a purge and rid myself of an intolerable pain. Rebecca. I had said it aloud.
– Chapter 11.

Little things, meaningless and stupid in themselves, but they were there for me to see, for me to hear, for me to feel. Dear God, I did not want to think about Rebecca. I wanted to be happy, to make Maxim happy, and I wanted us to be together. There was no other wish in my heart but that. I could not help it if she came to me in thoughts, in dreams. I could not help it if I felt like a guest in Manderley, my home, walking where she had trodden, resting where she had lain. I was like a guest, biding my time, waiting for the return of the hostess. Little sentences, little reproofs reminding me every hour, every day.
– Chapter 12.

If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world.
– Chapter 13.

Then I heard a step behind me and turning round I saw Mrs Danvers. I shall never forget the expression on her face. Triumphant, gloating, excited in a strange unhealthy way. I felt very frightened.
– Chapter 14.

I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, ‘Well, that clears my conscience for three months’? Did she ever think about Manderley? Did she remember sitting at the dining-room table, where I sat? Did she too have tea under the chestnut-tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold?
– Chapter 15.

I wished he would not always treat me as a child, rather spoilt, rather irresponsible, someone to be petted from time to time when the mood came upon him but more often forgotten, more often patted on the shoulder and told to run away and play. I wished something would happen to make me look wiser, more mature. Was it always going to be like this? He away ahead of me, with his own moods that I did not share, his secret troubles that I did not know? Would we never be together, he a man and I a woman, standing shoulder to shoulder, hand in hand, with no gulf between us? I did not want to be a child. I wanted to be his wife, his mother. I wanted to be old.
– Chapter 16.

He never spoke to me. He never touched me. We stood beside one another, the host and the hostess, and we were not together. I watched his courtesy to his guests. He flung a word to one, a jest to another, a smile to a third, a call over his shoulder to a fourth, and no one but myself could know that every utterance he made, every movement, was automatic and the work of a machine. We were like two performers in a play, but we were divided, we were not acting with one another. We had to endure it alone, we had to put up this show, this miserable, sham performance, for the sake of all these people I did not know and did not want to see again.
– Chapter 17.

She was in the house still, as Mrs Danvers had said; she was in that room in the west wing, she was in the library, in the morning-room, in the gallery above the hall. Even in the little flower-room, where her mackintosh still hung. And in the garden, and in the woods, and down in the stone cottage on the beach. Her footsteps sounded in the corridors, her scent lingered on the stairs. The servants obeyed her orders still, the food we ate was the food she liked. Her favourite flowers filled the rooms. Her clothes were in the wardrobes in her room, her brushes were on the table, her shoes beneath the chair, her nightdress on her bed. Rebecca was still mistress of Manderley. Rebecca was still Mrs de Winter. I had no business here at all. I had come blundering like a poor fool on ground that was preserved.
– Chapter 18.

When people suffer a great shock, like death, or the loss of a limb, I believe they don’t feel it just at first. If your hand is taken from you you don’t know, for a few minutes, that your hand is gone. You go on feeling the fingers. You stretch and beat them on the air, one by one, and all the time there is nothing there, no hand, no fingers. I knelt there by Maxim’s side, my body against his body, my hands upon his shoulders, and I was aware of no feeling at all, no pain and no fear, there was no horror in my heart.
– Chapter 20.

But something new had come upon me that had not been before. My heart, for all its anxiety and doubt, was light and free. I knew then that I was no longer afraid of Rebecca. I did not hate her any more. Now that I knew her to have been evil and vicious and rotten I did not hate her any more. She could not hurt me. I could go to the morning-room and sit down at her desk and touch her pen and look at her writing on the pigeon-holes, and I should not mind. I could go to her room in the west wing, stand by the window even as I had done this morning, and I should not be afraid. Rebecca’s power had dissolved into the air, like the mist had done. She would never haunt me again. She would never stand behind me on the stairs, sit beside me in the dining-room, lean down from the gallery and watch me standing in the hall. Maxim had never loved her. I did not hate her any more.
– Chapter 21

It was ours, inviolate, a fraction of time suspended between two seconds.
– Chapter 25.

The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
– Chapter 27.


☕☕☕☕☕


About the Author:

Daphne du Maurier (1907-89) was born in London, educated at home and in Paris, and lived much of her life in her beloved Cornwall, the setting for many of her novels. Most of her novels have been bestsellers and many have been made into films. She is considered one of the most accomplished novelists of the twentieth century.


12 thoughts on “The Classics Eight: Rebecca by Daphne du Maurier for #rebeccabuddyread

    • It certainly is! One to linger over and immerse yourself in. Actually, there was some discussion between buddy read members about the slow start, and how times have changed. Many wondered if readers would persist with a contemporary book that started so slow.

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      • Actually, you are not the first person to make that observation. It has been said that writers like Graham Greene would no longer find a publisher. Du Maurier’s writing and others from that period tell us how much has changed in society. I was conscious of slow starting in my own writing. It’s apparently death in modern fiction!

        Liked by 1 person

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